|Rohs Hardware in 2008|
Photo courtesy of www.buycincy.com
|Al Rohs with just |
some of his wares
Photo courtesy of
Then I noticed the storefront had been retrofitted with porcelain enamel panels, and I thought to myself, “What a great addition the façade would make to our ‘Signs on Main Street’ exhibit area.
When Rohs closed, a local developer named Rick Kimbler of Northpointe Realty, Cincinnati acquired the building. I asked him about plans for the porcelain panels, and he said they would probably remove and discard them. I told him of my plans, and he thought it an appropriate re-use. He would talk with his general contractor, Bill Baum of Cincinnati-based Urban Sites, about the idea.
Baum followed up, giving us a basic go-ahead and suggesting we meet to discuss coordinating the removal of the porcelain letters and panels. But when I met Baum and architect Mark Gunther of Wichman Gunther Architects later that week, Gunther said, “There’s a good deal of Federal money financing the redevelopment,” said Gunther, “and we have to meet historic preservation criteria. Odds are removing the panels will jeopardize the federal money.” My heart sank. “Let me research it,” Gunther said. We would just have to wait for the verdict.
Then, the local daily—Cincinnati Enquirer—featured the museum’s new home in its Labor Day weekend Sunday edition. Mention of the possible reuse of the Rohs storefront prompted Albert’s daughter, Karen Rohs Laib, to e-mail the reporter about how great it would be if the Rohs storefront went to the museum. I sent copies off to all the parties involved.
A few weeks later, Bill Baum called. “Hey, they’re all yours,” he said. Sean Druley, who is building the displays and exhibits at our new home, friend Toby Costello, and I set out on a Tuesday afternoon, grateful that the rain of the day before and earlier that day had stopped. By 5:00 that afternoon, we had all the panels and letters down and strapped onto the trailer, far ahead of our schedule. Wednesday—our original completion day—it rained from dawn to dusk. It was just one of those meant-to-be projects.
|Toby Costello (left) and Sean Druley (right) removing the letters and panels |
that will be reassembled along Signs on Main Street at the American Sign Museum