|We actually have two genies, one at each entrance |
of the current and new sites. We plan to install the
current site genie atop the front building at the new
site, where he will beckon travelers on I-75.
The outdoor area of the Museum’s new home is starting to look like it's going to feature the three-dimensional fiberglass “sculptures” that were so popular in the mid 1950s through the late 1960s. Our 20-ft. tall genie, which has become somewhat of a mascot, now stands over the walkway atop two 12-ft. poles at the museum’s entrance. Two other additions—a 16-ft. long trailer-mounted pink pig and the most recent acquisition, a 16-ft. tall 3D bowling pin—now sit outside in the parking lot awaiting installation.
“Kahnie” as the pig was appropriately (and affectionately) named, was donated by Kahn’s, a
meatpacking company now under the umbrella of Sara Lee foods. Kahnie had long been a favorite participant
events, and is most remembered for her appearance in the annual Cincinnati Reds
Opening Day parade. In keeping with
current trends, Kahnie was replaced by an inflatable counterpart, whose
flexibility promoted more practical transportation and set-up. Word has it that Kahnie is already adapting
to her new home. Cincinnati
|Kahnie and genie at night, taken before Pinhead's arrival.|
|Pinhead is happy to be coming to the|
America Sign Museum.
Phil, Jr. later told me the whole story. “The bowling pin had been a local icon since the late 1950s,” he explained, “but the owner sold the business and opened a new bowling alley in nearby Manville and asked us to move the pin. He told us we didn’t need to install it: ‘Just move it to my new place and tie it down with ropes and I’ll install it myself later.’”
“It was too long afterwards,” continued Smith, “that we got a call from the guy saying the police had called him, telling him to get the bowling pin out of the middle of the street ASAP or face the consequences. He had obviously not mounted the big guy properly. We went over and brought it back to the shop to await further instruction and never head from the guy again. That was at least 15 years ago.”
Smith went on to tell me that the smiling face was added sometime during its tenure at Greenbrook, and that a tin-sheathed plywood top hat was added to top him off. The hat had deteriorated over the years.
The bowling pin’s interesting history was not unlike the shop that rescued it. Ace Sign Company was co-founded in 1928 by Phil, Jr.’s grandfather, David, and his partner, “Ace” Friedman, a former boxer. Ace was the salesman; David was the signpainter. The shop got a big boost when it began doing work for Leon Hess’s oil company, Hess Oil, which was founded in
. The shop grew to employ eight signpainters at
its height. Perth Amboy
In the early 1970s, Ace Sign expanded to begin offering backlit plastic signs to its local customer base. It continued to maintain its separate neon plant as it had since the beginning. Under Phil, Sr., the shop became a beta site for Gerber Scientific Products first vinyl cutter in the early 1980s; computerization was fully integrated by the late 1980s. Although Ace Signs days of employing eight signpainters are gone, it still paints some of Hess Oil’s local storage tanks. The company is currently operated by Phil, Jr. and his brother, David. Father Phil, Sr. is semi-retired.
|Phil Jr. shares stories of other fiberglass giants|
|Following a tour of the shop, Phil Sr. poses with Tod and Pinhead.|